“A Pair of Silk Stockings” is Kate Chopin’s short story about a woman fallen on hard times who receives an unexpected windfall. It describes how the woman spends the money.
By the Editors of KateChopin.org
If you’re not yet fluent in English, you can hear a version of this story read in “Special English,” used by the Voice of America to “communicate by radio in clear and simple English with people whose native language is not English.”
Read the story online
Characters
Time and place
Themes
When the story was written and published
Questions and answers
New: A reader’s response
Accurate texts
New All of Kate Chopin’s short stories in Spanish
Articles and book chapters about the story
Books that discuss Kate Chopin’s short stories
Reading Kate Chopin’s “A Pair of Silk Stockings” online and in print
You can read the story in our online text which is based on The Complete Works of Kate Chopin, edited by Per Seyersted (Baton Rouge: Louisiana State UP, 1969, 2006). If you’re citing a passage from this or other Kate Chopin stories for research purposes, it’s a good idea to check your citation against one of these printed texts.
“A Pair of Silk Stockings” characters
- Mrs. Sommers: “Little Mrs. Sommers,” as Kate Chopin phrases it
- A shop girl
- The “gaudy” woman next to Mrs. Sommers at the theatre
- The man across from Mrs. Sommers on the cable car
“A Pair of Silk Stockings” time and place
The story takes place in an unnamed city–a city large enough to have a department store, a fashionable restaurant, a theatre, and a cable car–probably in the early 1890s.
“A Pair of Silk Stockings” themes
Some readers, as we explain in the questions and answers below, focus on the balance between individual impulse and responsibility in the story. Some see rather a manipulation of women by businesses hoping to create a market for expensive clothing, restaurant food, and entertainment.
You can read about finding themes in Kate Chopin’s stories and novels on the Themes page of this site.
When Kate Chopin’s “A Pair of Silk Stockings” was written and published
The story was written in April, 1896, and published in Vogue on September 16, 1897, one of nineteen Kate Chopin stories that Vogue published.
You can find out when Kate Chopin wrote each of her short stories and when and where each was first published.
Questions and answers about “A Pair of Silk Stockings”
Q: Mrs. Sommers reminds me of people I know, people struggling to pay their bills but tempted by clever marketing to spend the little money they have on things they can’t afford. Was today’s consumer society already in place in Kate Chopin’s time?
A: It was emerging, and it included what Robert Arner in the essay collection Awakenings: The Story of the Kate Chopin Revival calls “the appropriation and manipulation of female desire by an increasingly aggressive and male-managed capitalist culture in an attempt to create and sustain an inexhaustible market for services and goods, especially for luxury goods.” It included also, Arner argues, “a new sense of self based upon lower- and middle-class imitation of the wealthy through the agencies of fashion and taste.”
What happens to Mrs. Sommers, Arner adds, “is exactly what the male managerial system had intended should happen, not particularly to her as an individual but to her as a member of an invented class of people, female shoppers, within the world that May and Macy and Wannamaker [department store owners] were in the process of creating.”
Q: Something about Mrs. Sommers reminds me of Edna Pontellier in The Awakening. But what is it? Edna is certainly not poor. An additional fifteen dollars would not seem like “a very large amount of money” for her as it does for Mrs. Sommers.
A: There may be many resemblances between Mrs. Sommers and Edna Pontellier, but one is especially noticeable. Kate Chopin writes that “impulse” is guiding Mrs. Sommers, and in Chapter XII of The Awakening she describes Edna as “blindly following whatever impulse moved her, as if she had placed herself in alien hands for direction, and freed her soul of responsibility,” a passage that calls to mind the sentences from “A Pair of Silk Stockings” at the top of this page.
Q: People seem to assume that Mrs. Sommers is a widow or a single mother. But could she be a woman married to a man who has lost his fortune and fallen on hard times?
A: There’s no evidence in the story to rule out the possibility that Mrs. Sommers’ husband is alive but that the couple is poor.
In many of the stories that Kate Chopin included in her two books of short stories, Bayou Folk and A Night in Acadie, we can tell a good deal about some characters because they live at a specific place in rural Louisiana, or they appear in several stories, or characters in other stories talk about them. But Mrs. Sommers does not appear in any other Chopin story and nobody in any other story speaks of her. We do not even know what city or state her story takes place in. All we can tell about her is what we have in those words in “A Pair of Silk Stockings.”
Apparently Chopin did not consider Mrs. Sommers’ marital status of importance to the story. She keeps her focus on Mrs. Sommers’ actions in a center city over a period of several hours, and she does not show us this character’s life at home–with or without a husband.
New: Response from a reader: “I just read your page on ‘A Pair of Silk Stockings’ and I am really surprised at how others interpret the story to be about lack of responsibility or being a helpless victim of clever marketing. This seems like such a gendered interpretation of this story. I read this story back in college and have always interpreted it very differently . . . especially now so after being a mother. To me it’s always been a very feminist story of a woman who dared spend some unexpected money on a day of self-care that she deserved and was long overdue for. Her initial struggle with the guilt of doing anything for herself with the money instead of spending it on her family to me seems to support this. Being a mother today, we still have so much pressure on us to be martyrs to our families and friends. So many women put themselves last and don’t practice any self-care to the point that they end up exhausted and sick. That pressure must have been even worse back when Kate wrote this story and this woman in the story’s actions of doing something that made her personally happy must have been even more shocking for that timeframe.”
Chopin scholar Heidi Podlasli-Labrenz from Bremen, Germany, writes: “I could not agree more with this response. This is the point that I was trying to make when suggesting that the story ‘ushered in’ The Awakening from an existentialist perspective.”
You can read more questions and answers about Kate Chopin and her work, and you can contact us with your questions.
For students and scholars
Accurate texts of “A Pair of Silk Stockings”
The Complete Works of Kate Chopin. Edited by Per Seyersted. Baton Rouge: Louisiana State University Press, 1969, 2006.
Kate Chopin: Complete Novels and Stories. Edited by Sandra Gilbert. New York: Library of America, 2002.
Articles and book chapters about “A Pair of Silk Stockings”
Some of the items listed here may be available on line through university or public libraries.
Shen, Dan. “Naturalistic Covert Progression behind Complicated Plot: Chopin’s ‘A Pair of Silk Stockings.’” Journal of Narrative Theory, vol. 52, no. 1, 2022, pp. 1–24.
Koloski, Bernard. “Kate Chopin.” Oxford Bibliographies in American Literature, edited by Jackson Bryer, Oxford University Press, 2020 [update].
Giorcelli, Cristina. “Sheer Luxury: Kate Chopin’s ‘A Pair of Silk Stockings.’” In Cristina Giorcelli and Paula Rabinowitz, eds. Exchanging Clothes: Habits of Being 2. 78–96. Minneapolis: U of Minnesota P, 2012.
Arner, Robert D. “On First Looking (and Looking Once Again) into Chopin’s Fiction: Kate and Ernest and ‘A Pair of Silk Stockings.’ “ Awakenings: The Story of the Kate Chopin Revival. Ed. Bernard Koloski. Baton Rouge: Louisiana State UP, 2009. 112–30.
Giorcelli, Cristina. “Sheer Luxury: Kate Chopin’s ‘A Pair of Silk Stockings’.” Abito e Identità: Ricerche di storia letteraria e culturale, VI. 55-73. Palma, Spain: Ila Palma, 2006.
Stein, Allen. “Kate Chopin’s ‘A Pair of Silk Stockings’: The Marital Burden and the Lure of Consumerism.” Mississippi Quarterly 57 (2004): 357-368.
Books that discuss Chopin’s short stories
Fox, Heather A. Arranging Stories: Framing Social Commentary in Short Story Collections by Southern Women Writers. University Press of Mississippi, 2022.
Ostman, Heather. Kate Chopin and Catholicism. Palgrave Macmillan, 2020.
Ostman, Heather, and Kate O’Donoghue, eds. Kate Chopin in Context: New Approaches. New York: Palgrave Macmillan, 2015. The book contains these essays:
Koloski, Bernard. “Chopin’s Enlightened Men”: 15–27.
Walker, Rafael. “Kate Chopin and the Dilemma of Individualism”: 29–46.
Armiento, Amy Branam. “‘A quick conception of all that this accusation meant for her’: The Legal Climate at the Time of ‘Désirée’s Baby’”: 47–64.
Rossi, Aparecido Donizete. “The Gothic in Kate Chopin”: 65–82.
Gil, Eulalia Piñero. “The Pleasures of Music: Kate Chopin’s Artistic and Sensorial Synesthesia”: 83–100.
Ostman, Heather. “Maternity vs. Autonomy in Chopin’s ‘Regret’”: 101–15.
Merricks, Correna Catlett. “‘I’m So Happy; It Frightens Me’: Female Genealogy in the Fiction of Kate Chopin and Pauline Hopkins”: 145–58.
Sehulster, Patricia J. “American Refusals: A Continuum of ‘I Prefer Not Tos’ as Articulated in the Work of Chopin, Hawthorne, Harper, Atherton, and Dreiser”: 159–72.
Rajakumar, Mohanalakshmi and Geetha Rajeswar. “What Did She Die of? ‘The Story of an Hour’ in the Middle East Classroom”: 173–85.
O’Donoghue, Kate. “Teaching Kate Chopin Using Multimedia”: 187–202.
James Nagel. Race and Culture in New Orleans Stories: Kate Chopin, Grace King, Alice Dunbar-Nelson, and George Washington Cable. Tuscaloosa: U of Alabama P, 2014.
Brosman, Catharine Savage. Louisiana Creole Literature: A Historical Study. UP of Mississippi, 2013.
Wan, Xuemei. Beauty in Love and Death—An Aesthetic Reading of Kate Chopin’s Works [in Chinese]. China Social Sciences P, 2012.
Hebert-Leiter, Maria. Becoming Cajun, Becoming American: The Acadian in American Literature from Longfellow to James Lee Burke. Baton Rouge: Louisiana State UP, 2009.
Gale, Robert L. Characters and Plots in the Fiction of Kate Chopin. Jefferson, N C: McFarland, 2009.
Beer, Janet, ed. The Cambridge Companion to Kate Chopin. Cambridge, England: Cambridge UP, 2008. The book contains these essays:
Knights, Pamela. “Kate Chopin and the Subject of Childhood”: 44–58.
Castillo, Susan. “’Race’ and Ethnicity in Kate Chopin’s Fiction”: 59–72.
Joslin, Katherine. “Kate Chopin on Fashion in a Darwinian World”: 73–86.
Worton, Michael. “Reading Kate Chopin through Contemporary French Feminist Theory”: 105–17.
Horner, Avril. “Kate Chopin, Choice and Modernism”: 132–46.
Taylor, Helen. “Kate Chopin and Post-Colonial New Orleans”: 147–60.
Ostman, Heather, ed. Kate Chopin in the Twenty-First Century: New Critical Essays. Newcastle upon Tyne, England: Cambridge Scholars, 2008. The book contains these essays:
Kornhaber, Donna, and David Kornhaber. “Stage and Status: Theatre in the Short Fiction of Kate Chopin”: 15–32.
Thrailkill, Jane F. “Chopin’s Lyrical Anodyne for the Modern Soul”: 33–52.
Johnsen, Heidi. “Kate Chopin in Vogue: Establishing a Textual Context for A Vocation and a Voice”: 53–69.
Batinovich, Garnet Ayers. “Storming the Cathedral: The Antireligious Subtext in Kate Chopin’s Works”: 73–90.
Kirby, Lisa A. “‘So the storm passed . . .’: Interrogating Race, Class, and Gender
in Chopin’s ‘At the ’Cadian Ball’ and ‘The Storm’”: 91–104.
Frederich, Meredith. “Extinguished Humanity: Fire in Kate Chopin’s ‘The Godmother’”: 105–18.
Beer, Janet. Kate Chopin, Edith Wharton and Charlotte Perkins Gilman: Studies in Short Fiction. New York: Palgrave Macmillan, 2005.
Stein, Allen F. Women and Autonomy in Kate Chopin’s Short Fiction. New York: Peter Lang, 2005.
Lohafer, Susan. Reading for Storyness: Preclosure Theory, Empirical Poetics and Culture in the Short Story. Baltimore, MD: Johns Hopkins UP, 2003.
Shaker, Bonnie James. Coloring Locals: Racial Formation in Kate Chopin’s Youth’s Companion Stories. Iowa City: U of Iowa P, 2003.
Perrin-Chenour, Marie-Claude. Kate Chopin: Ruptures [in French]. Paris, France: Belin, 2002.
Evans, Robert C. Kate Chopin’s Short Fiction: A Critical Companion. West Cornwall, CT: Locust Hill, 2001.
Koloski, Bernard, ed. Bayou Folk and A Night in Acadie by Kate Chopin. New York: Penguin, 1999.
Beer, Janet. Kate Chopin, Edith Wharton and Charlotte Perkins Gilman: Studies in Short Fiction. New York: Macmillan–St. Martin’s, 1997.
Koloski, Bernard. Kate Chopin: A Study of the Short Fiction. New York: Twayne, 1996.
Petry, Alice Hall, ed. Critical Essays on Kate Chopin. New York: G. K. Hall, 1996. The book contains these essays:
Pollard, Percival. “From Their Day in Court“: 67–70.
Reilly, Joseph J. “Stories by Kate Chopin”: 71–74.
Skaggs, Peggy. “The Boy’s Quest in Kate Chopin’s ‘A Vocation and a Voice’”: 129–33.
Dyer, Joyce [Coyne]. “The Restive Brute: The Symbolic Presentation of Repression and Sublimation in Kate Chopin’s ‘Fedora’”: 134–38.
Arner, Robert D. “Pride and Prejudice: Kate Chopin’s ‘Désirée’s Baby’”: 139–46.
Bauer, Margaret D. “Armand Aubigny, Still Passing After All These Years: The Narrative Voice and Historical Context of ‘Désirée’s Baby’”: 161–83.
Berkove, Lawrence I. “‘Acting Like Fools’: The Ill-Fated Romances of ‘At the ’Cadian Ball’ and ‘The Storm’”: 184–96.
Wagner-Martin, Linda. “Kate Chopin’s Fascination with Young Men”: 197–206.
Walker, Nancy A. “Her Own Story: The Woman of Letters in Kate Chopin’s Short Fiction”: 218–26.
Elfenbein, Anna Shannon. Women on the Color Line: Evolving Stereotypes and the Writings of George Washington Cable, Grace King, Kate Chopin. Charlottesville: UP of Virginia, 1994.
Fick, Thomas H., and Eva Gold, guest eds. “Special Section: Kate Chopin.” Louisiana Literature: A Review of Literature and Humanities. Spring, 1994. 8–171. The special section of the journal contains these essays:
Toth, Emily. “Introduction: A New Generation Reads Kate Chopin”: 8–17.
Koloski, Bernard. “The Anthologized Chopin: Kate Chopin’s Short Stories in Yesterday’s and Today’s Anthologies”: 18–30.
Saar, Doreen Alvarez. “The Failure and Triumph of ‘The Maid of Saint Phillippe’: Chopin Rewrites American Literature for American Women”: 59–73.
Dyer, Joyce. “‘Vagabonds’: A Story without a Home”: 74–82.
Padgett, Jacqueline Olson. “Kate Chopin and the Literature of the Annunciation, with a Reading of ‘Lilacs’”: 97–107.
Day, Karen. “The ‘Elsewhere’ of Female Sexuality and Desire in Kate Chopin’s ‘A Vocation and a Voice’”: 108–17.
Cothern, Lynn. “Speech and Authorship in Kate Chopin’s ‘La Belle Zoraïde’”: 118–25.
Lundie, Catherine. “Doubly Dispossessed: Kate Chopin’s Women of Color”: 126–44.
Ellis, Nancy S. “Sonata No. 1 in Prose, the ‘Von Stoltz’: Musical Structure in an Early Work by Kate Chopin”: 145–56.
Ewell, Barbara C. “Making Places: Kate Chopin and the Art of Fiction”: 157–71.
Boren, Lynda S., and Sara deSaussure Davis (eds.), Kate Chopin Reconsidered: Beyond the Bayou. Baton Rouge: Louisiana State UP, 1992. The book contains these essays:
Toth, Emily. “Kate Chopin Thinks Back Through Her Mothers: Three Stories by Kate Chopin”: 15–25.
Bardot, Jean. “French Creole Portraits: The Chopin Family from Natchitoches Parish”: 26–35.
Thomas, Heather Kirk. “‘What Are the Prospects for the Book?’: Rewriting a Woman’s Life”: 36–57.
Black, Martha Fodaski. “The Quintessence of Chopinism”: 95–113.
Ewell, Barbara C. “Kate Chopin and the Dream of Female Selfhood”: 157–65.
Davis, Sara deSaussure. “Chopin’s Movement Toward Universal Myth”: 199–206.
Blythe, Anne M. “Kate Chopin’s ‘Charlie’”: 207–15.
Ellis, Nancy S. “Insistent Refrains and Self-Discovery: Accompanied Awakenings in Three Stories by Kate Chopin”: 216–29.
Toth, Emily, ed. A Vocation and a Voice by Kate Chopin. New York: Penguin, 1991.
Showalter, Elaine. Sister’s Choice: Tradition and Change in American Women’s Writing. Oxford, England: Oxford UP, 1991.
Papke, Mary E. Verging on the Abyss: The Social Fiction of Kate Chopin and Edith Wharton. New York: Greenwood, 1990.
Elfenbein, Anna Shannon. Women on the Color Line: Evolving Stereotypes and the Writings of George Washington Cable, Grace King, Kate Chopin. Charlottesville: UP of Virginia, 1989.
Taylor, Helen. Gender, Race, and Region in the Writings of Grace King, Ruth McEnery Stuart, and Kate Chopin. Baton Rouge: Louisiana State UP, 1989.
Bonner, Thomas Jr., The Kate Chopin Companion. New York: Greenwood, 1988.
Bloom, Harold, ed. Kate Chopin. New York: Chelsea, 1987. The book contains these essays:
Ziff, Larzer. “An Abyss of Inequality”: 17–24.
Wolff, Cynthia Griffin. “The Fiction of Limits: ‘Désirée’s Baby’”: 35–42.
Dyer, Joyce C. “Gouvernail, Kate Chopin’s Sensitive Bachelor”: 61–69.
Dyer, Joyce C. “Kate Chopin’s Sleeping Bruties”: 71–81.
Gardiner, Elaine. “‘Ripe Figs’: Kate Chopin in Miniature”: 83–87.
Ewell, Barbara C. Kate Chopin. New York: Ungar, 1986.
Skaggs, Peggy. Kate Chopin. Boston: Twayne, 1985.
Toth, Emily, ed. Regionalism and the Female Imagination. New York: Human Sciences Press, 1984.
Stein, Allen F. After the Vows Were Spoken: Marriage in American Literary Realism. Columbus: Ohio UP, 1984.
Huf, Linda. A Portrait of the Artist as a Young Woman: The Writer as Heroine in American Literature. New York: Ungar, 1983.
Christ, Carol P. Diving Deep and Surfacing: Women Writers on Spiritual Quest. Boston: Beacon, 1980.
Springer, Marlene. Edith Wharton and Kate Chopin: A Reference Guide. Boston: Hall, 1976.
Cahill, Susan. Women and Fiction: Short Stories by and about Women. New York: New American Library, 1975.
Seyersted, Per, ed. “The Storm” and Other Stories by Kate Chopin: With The Awakening. Old Westbury: Feminist P, 1974.
Freedman, Florence B., et al. Special Issue: Whitman, Chopin, and O’Faolain. WWR, 1970.
Leary, Lewis, ed. The Awakening and Other Stories by Kate Chopin. New York: Holt, Rinehart and Winston, 1970.
Seyersted, Per. Kate Chopin: A Critical Biography. Baton Rouge: Louisiana State UP, 1969.
Rankin, Daniel, Kate Chopin and Her Creole Stories. Philadelphia: U of Pennsylvania P, 1932.
